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Case Study

APHEX TWIN'S COLLAPSE EP LAUNCH

Bluman Associates used Notch to create interactive guerrilla projections across London for Aphex Twin's Collapse EP launch.

UK electronic artist Aphex Twin is known for his evasive temperament and experimental production style. To promote the release of his new EP Collapse, Brotherhood Media approached Bluman Associates with a brief to create an outdoor activation projecting the EP’s artwork on buildings across London locations guerrilla-style.

Bluman Associates are specialists in large scale projections, and Stout Studios is their in-house content arm. Creative Director and Notch Animator Lewis Kyle White guides us through what it’s like to create a fail-safe workflow for a risky guerrilla installation.

“The idea was that the audience would be able to interact with artwork by using custom designed plinths that house a leap motion and light up when the Leap detects the user's hand."

Pre-production ran for four weeks with a small team led by Lewis Kyle White and assisted by Alex Tennyson, AKA TypeOne. Over the course of a few days, Stout and Weirdcore sat down and developed looks in Notch. They crafted unique visuals by combining assets from the "Collapse" music video and custom-made content from Weirdcore, which were then manipulated in Notch.

“Notch allowed us to rebuild in real-time and in some cases match the functional materials and effects seen in the music video, which was originally created in C4D and rendered in Octane."

This level of close 3D cross-pollination with material assets and animated systems would have not been possible in other real-time interactive renderers.
Lewis Kyle White, Creative Director and Notch Animator

Creating for a guerrilla activation was challenging in terms of logistics, for the clients the whole operation was a risky endeavour. During pre-production, the team had to display to their clients that the concept delivery was foolproof. For the operation to be successful, Bluman Associates and Stout felt it essential to work with software which they had tried and tested as reliable and functionally fast. They chose Notch and Leap on the merits of successes in past projects.

Once arriving at the locations high-powered projection rigs were pointed out of the vans, and the custom made plinths were set up. “Utilising Notch as the core renderer we sequenced the experience on disguise gx1 media servers. The Leap Motions fed real-time data over a network to the server via OSC. This Data was fed directly into Notch to drive the projected animations as well as to DMX controlling LED lights within the plinths which were creating active feedback for the end user.”

The team managed to project at every location without being caught and the installations were received incredibly well by the public. Hundreds of individuals participated and were captivated by the beautiful visuals and sensitive technology.

Full Credits

Client

Brotherhood Media

Art Direction

Weirdcore

Production Company

Stout, Bluman Associates

Production Design

Bluman Associates

Project Management

Simon Hudson

Creative Direction

Weirdcore, Lewis Kyle White

Notch Creative

Lewis Kyle White

D3 Programming

Lewis Kyle White

Additional Content

Weirdcore

Interactive Audio

TYPEONE

Server Op / Notch Op

Lewis Kyle White

Projectionist

Rupert Dean

Server Op / Notch Op

Kyle Reseigh

Projectionist

Manjit Kandola

Equipment Vendor

Bluman Associates

Media Server

disguise gx1

Video Director

Vincent Rowley

Video Producers

Bluman Associates

Audio

TYPEONE

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