Treatment worked to break new ground with the 2016 Sigur Rós tour. A combination of techniques, including photogrammetry of 3D scenes and real-time integration of live data taken during the show, resulted in a stunning visual arrangement.
Case Study
SIGUR ROS' WORLD TOUR 2016
Treatment used photogrammetry and real-time data integration to push the boundaries of what can be done with live visuals for the 2016 Sigur Rós tour.



James F. Thompson of Loud and Quiet summed it up as such: "It’s this dynamism that makes things work so well tonight, coupled with a jaw-dropping stage show that takes in LED lights, coordinated screens, CGI and all manner of sleight-of-hand physical trickery. Screens are moved upwards and downwards to create the illusion of shifting skies, landscapes and depths. At one point we see Hólm’s hand playing bass on screen in real-time, only rendered out of laser-like motion capture."

Full Credits
Creative Director
Sarah Hopper
Video Creative Director
Damian Hale
Lighting Designer
Bruno Poet
Content
The Third Company
Producer
Sam Pattinson, Treatment
Photogrammetry / 3D Scanning
Alex Eckford
Technical Director
Dave Shepherd
Animation
Susana Yamamoto
Production Manager
Helen Campbell
AV Production
PRG XL Video
Projectionist
Ray Gwilliams
Media Server
disguise
GET IN ON THE ACTION
GET IN ON THE ACTION
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